The admin and services the industry lays out for releasing music. What each one costs, what it does, and what it doesn't.
This page covers the business side of releasing music.Two steps pay you whatever you do: APRA AMCOS for your songs and PPCA for your recordings. Both are free. The rest is optional. For finding an audience, see Community.
Getting Paid 3
APRA AMCOS
CostFree to join.
DoesCollects your songwriter royalties: live, radio, TV, streaming. File a Performance Report after each gig and you get a couple of dollars a song, paid quarterly. Claims close a year after the show.
Doesn'tBusking and other gigs in public places stopped counting on 1 July 2026. Nothing arrives for four to six months.
MoveJoin, register every song, report every gig. This is the one step that pays you for playing live, whatever else you do.
DoesPitch one unreleased song to Spotify's playlist editors through Spotify for Artists. Delivering seven days before release also puts it on your followers' Release Radar.
Doesn'tNo guarantee, or feedback either way.
MoveDeliver at least seven days ahead, pitch the one song.
DoesAmrap makes your WAV available to community stations, but a direct email to a presenter is what gets you played. triple j Unearthed is free for Australian artists without a major label deal; you keep copyright.
CostDVD Makers, Hornsby: printed disc in a case about $2.86 each, from 50.
Does48-hour turnaround in Sydney.
Doesn'tIf a CD or record has covers on it, you need an APRA AMCOS manufacture licence: about 6% of retail on those tracks, minimum 5c a unit. Digital releases don't.
Prices are as each company publishes them; DistroKid and Amuse don't say which currency. APRA AMCOS publishes a free industry-advice hub; Creative Australia publishes no release guide.